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EVE Online tries the World of Democracycraft experiment
A recent insider-meddling scandal inside the space-merchant game EVE Online prompted the creation of a democratically elected player council called the Council of Stellar Management (CSM). This newly constituted democratic institution is charged with helping the game developers balance out fun with fairness. I've often wondered whether democratic player-groups can vote for more fun, even when "fun" includes making the game harder and more frustrating at times. 1UP: When can we expect to see in-game results from the meeting? AC: Well the immediate results were in the prioritizing of development effort applied to the game changes we advocated to CCP. Directly based on CSM advice, CCP will be rolling out game changes, balance alternations and improvements and additional programming effort on key areas. Of course, some of these things are going to take 3/6/9/12 months to see light on the live server, but a big part of the battle is to start the processing going and to know that we've helped to set the priorities for the next year of development for Eve. For me personally, the first big things I'm expecting changes on relate to Faction Warfare (the key content of the Empyrean Age expansion) being opened up to Alliance corporations and incorporating our advise and advocacy on a truly dynamic, open-ended plotline for the game itself. After that, I'm expecting CCP to roll-out improvements to the Black Ops range of Battleships and address issues with 0.0 Sovereignty and its current imbalance in favor of the defending power. Building a Better Virtual World Through Democracy (via Terra Nova)...
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NY Times: The Los Angeles of Ry Cooder and Mister Jalopy
Over on Dinosaurs and Robots, Mister Jalopy says: A few months ago, Ry Cooder and I went out to the dry lakes with the Old Crow Speed Shop, the Bobby Green Bellytanker and the New York Times. The article (by Lawrence Downes, and photos by Eric Grigorian) is out tomorrow and it is wonderful. There is the Los Angeles that people imagine of red carpet premieres, Botox lunches, velvet rope nightclubs, Venice bodybuilders and tony boutiques. It is not a fable. That is real. Or, at least, it physically exists. Then, there is the Los Angeles that I know. Aerospace surplus hardware stores, smoky and ashtray-less Koreatown English hunt club bars in crumbling hotel basements, perfect beer buzz lunches at the Farmer's Market in filtered sunlight, the wild dogs of Pacoima, sprawling thrift stores, trolling junkyards for old diaries and Polaroids, the drag races at Pomona, chrome plating shops, backyards stacked with 300 bicycles, gold miners eager to show their biggest nuggets, fishing for carp in the Los Angeles River, optimists taking over art museums, the nicad battery selection at Electronic City, the metal patination case at Industrial Metal Supply, Kit Kraft Hobby, the gem vault at the Natural History Museum, the szechuan peppercorns of Alhambra, the churlish bartenders at Hop Louie, the sneaker shops of Little Tokyo, the imported coldcuts at Monte Carlo Deli, the Japanese garden on the roof of the New Otani Hotel, the bicycle swap at the Encino Velodrome, the DDR kids at the Santa Monica Pier, the mustard at Philipes, the dimsum carts of Monterey Park, the carnitas at Carrillos, the buffalo at Hart Park, the Kris Special at the Waystation, the netsuke room at LACMA, the Remington Rolling Block at the Backwoods Inn, the coffee shop at the LA Police Academy, the abandoned restaurant with leather walls at Union Station, the yardage of the Garment District, the abandoned fire station in the Toy District with the quartersawn oak lockers viewable through the crack in the door, the first two rows of lowrider history at the Pomona Auto Swap, Abe Lincoln's hat at the Huntington Library, the camillia forest of Descanso Garden, the bolt room of Roscoe Hardware that is hidden in a kitchen remodeling home center, the genius at the Museum of Jurassic Technology, the chile pepper booth at the Grand Central Market, sneaking to the top balcony of the Bradbury Building, the threadbare and dented Variety Arts Center, the orange groves of the 126 and secret utility salvage yard in the northeast San Fernando Valley. Mister Jalopy continues: "Ry and I share this Los Angeles and it was fun to show it to Lawrence. He did us proud. Los Angeles tries to throw itself away everyday but we are still gold prospectors, hot rodders and guitarists. Our fundamental awesomeness will not be impinged. I agree; what Mister Jalopy writes above comes closer than anyone to nailing why I love Los Angeles. Ry Cooder’s American West...
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Near The Burgess Shale
We stopped yesterday in the small town of Field, in Yoho National Park in British Columbia. It's the western side of the Continental Divide from where we were in Banff National Park. Here we are looking north from Field over the Kicking Horse River Valley. Field, which has a picturesque setting beneath Mount Stephen, below, was built for the construction of the railway and it looks like a model train village today. Railway workers began uncovering unusual fossils in the area. Charles Walcott came in 1908 to explore the trilobite bed near Mount Stephen. A year later, nearly 100 years ago, he discovered the Burgess Shale, which he named after nearby Mount Burgess. Walcott, head of the Smithsonian Institution, spent many years excavating the fossils and returning them to his museum. The Burgess Shale lies within Yoho National Park but you can only visit there in summer under the direction of licensed guides. We had a look-see in the information center and then headed to Calgary to fly home. Years ago, I had read Stephen Jay Gould's Wonderful Life and the brief visit to Field made me want to find the book first thing upon returning home. Gould writes that "the invertebrates of the Burgess Shale...are the world's most important animal fossils. Modern multicellular animals make their first uncontested appearance in the fossil record some 570 million years ago." These fossils represent a record of the Cambrian explosion and "they are precious because they preserve in exquisite detail...the soft anatomy of organisms." Gould writes lyrically: The animals of the Burgess Shale are holy objects -- in the unconventional sense that this word conveys in some cultures. We do not place them on pedestals and worship from afar. We climb mountains and dynamite hillsides to find them. We quarry them, split them, carve them, draw them, and dissect them, struggling to wrest their secrets. ... They are grubby little creatures of a sea floor 530 million years old, but we greet them with awe because they are the Old Ones, and they are trying to tell us something. Since the book was first published in 1989, Gould's interpretation of the evolutionary significance of the Burgess Shale has come under some criticism. (You can read some of the criticism in Amazon's reviews of the book.) Also, other Cambrian fossil sites have been found in Greenland and China. However, you can't mistake Gould's true enthusiasm for the story of the Burgess Shale, and its breakthrough role in helping us understand the history of life on earth....
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Homes with Tails: Homeowners providing their own fiber
In an audacious new paper, "Homes With Tails," Tim Wu and Derek Slater argue that there's no good technical or economic reason why homeowners couldn't supply their own fiber-optic internet connections that run hundreds of times faster than today's connections: We call this property model “Homes with Tails,” for the fiber would form part of the property right in the home. Key facets of our approach include: 1. A “condominium” model for fiber ownership, in which individual strands of fiber are sold to consumers, while maintenance and other collective needs are managed jointly. 2. Private firms and municipalities could consider selling fiber connections based on this model; and 3. Governments could consider using various mechanisms to support consumer purchases, including a tax credit to homeowners or renters who purchase a broadband connection. Summary: Homes With Tails, PDF: Homes With Tails...
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Minuscule: CGI bug videos
Kurt sez, "Minuscule is a co-production of French national TV and the Disney channel. It's a combination of real world sets and CGI insects, sans dialog. Personally, I think the lack of dialog makes the creatures more humane, and adds incredible opportunities for visual humor. Few opportunities are missed, and few fail. There are episodes all over YouTube, and when those whet your appetite, please buy the DVD and support these comedic geniuses." (Thanks, Kurt!)...
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